From November 1 to December 1, 2025, media artist Paul C. presents his solo exhibition titled The Texture of Light at Kumho Alver, a leading contemporary and experimental art venue in Seoul. Curated around the concept of sculpting the trajectory of time through the movement of light, the exhibition explores the poetic and sensory convergence of light, material, and time. Across three signature bodies of work—The Canvas of Light, Bit Doza Series 1, and Pixel Light—Paul C. rein

The Texture of Light presents a poetic convergence of light, material, and time through three bodies of work by media artist Paul C.—The Canvas of Light, Bit Doza Series 1, and Pixel Light. These works explore the ephemeral yet intimate relationships between nature and digital technology, object and memory, and tradition and innovation. Read More >

Cheongju Art Center presents the exhibition Architecture Becomes Art, a curated exploration of the intersection between architecture and visual art—two distinct yet deeply interconnected disciplines. This exhibition showcases works that transcend traditional boundaries, blending architectural elements with artistic expression to offer new perspectives and immersive experiences.

by Hongrae Cho (Paul C.) Seoul Design 2022 – International Design Trend Forum Digital Design Session (October 22, 2022 | 2:00 PM – 4:00...

NEWance: Light and Shadow. Like two sides of the same coin, light and shadow are not merely opposites—they exist in an essential, relational interplay. The sensibility found in their coexistence reveals a spectrum of nuance that transcends imagination. In this exhibition, we explore how such contrasting dualities can be reinterpreted and applied to design through the lens of art.

ARTICA presented media art works created with Kim JungMan’s photographs and calligraphy in a special exhibition from July 9 to September 8, 2021, across COEX Artium’s façade media, Media Tower, and Xpace Edge Column in Samsung-dong. Through this collaboration between Veam Interactive, one of Korea’s top-tier media art groups, and Kim Jung-Man, Korea’s leading photographer and renowned director, audiences experienced an unprecedented form of digital convergence both in Korea a